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<channel>
	<title>The Ink Wells</title>
	<atom:link href="http://soundunreason.com/InkWell/index.php/feed/" rel="self" type="application/rss+xml" />
	<link>http://soundunreason.com/InkWell</link>
	<description>Spilling Far and Wide</description>
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		<item>
		<title>Malachi</title>
		<link>http://soundunreason.com/InkWell/index.php/2012/01/malachi/</link>
		<comments>http://soundunreason.com/InkWell/index.php/2012/01/malachi/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 19:02:47 +0000</pubDate>
		<dc:creator>JamesIsIn</dc:creator>
				<category><![CDATA[Darkly Glasses]]></category>
		<category><![CDATA[photographer]]></category>

		<guid isPermaLink="false">http://soundunreason.com/InkWell/?p=2918</guid>
		<description><![CDATA[My friend T Malachi Dunworth posts his photography here.  He&#8217;s a musician and photographer friend of mine currently living in San Francisco.  There are some pretty cool pictures there so check it out.]]></description>
			<content:encoded><![CDATA[<p>My friend T Malachi Dunworth posts his photography <a title="TMalachi13 @ Statigr.am" href="http://statigr.am/tmalachi13" target="_blank">here</a>.  He&#8217;s a musician and photographer friend of mine currently living in San Francisco.  There are some pretty cool pictures there so check it out.</p>
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		<title>They Came in Pieces</title>
		<link>http://soundunreason.com/InkWell/index.php/2012/01/they-came-in-pieces/</link>
		<comments>http://soundunreason.com/InkWell/index.php/2012/01/they-came-in-pieces/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 17:43:40 +0000</pubDate>
		<dc:creator>JamesIsIn</dc:creator>
				<category><![CDATA[In the Mix]]></category>
		<category><![CDATA[playlist]]></category>

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		<description><![CDATA[They Came in Pieces [19] Jay Farrar &#38; Benjamin Gibbard — California Zephyr [from "One Fast Move or I'm Gone: Music from Kerouac's Big Sur"] Wilco — Walken [from "Sky Blue Sky"] Raconteurs — Steady as She Goes [from "Broken &#8230; <a href="http://soundunreason.com/InkWell/index.php/2012/01/they-came-in-pieces/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>They Came in Pieces [19]</p>
<ol>
<li><strong>Jay Farrar &amp; Benjamin Gibbard</strong> — <em>California Zephyr</em> [from "<a title="One Fast Move @ Amazon" href="http://www.amazon.com/One-Fast-Move-Im-Gone/dp/B002LFPA3O" target="_blank">One Fast Move or I'm Gone: Music from Kerouac's Big Sur</a>"]</li>
<li><strong>Wilco </strong>— <em>Walken</em> [from "<a title="Sky Blue Sky @ Amazon" href="http://www.amazon.com/Sky-Blue-Wilco/dp/B000NVIGC0" target="_blank">Sky Blue Sky</a>"]</li>
<li><strong>Raconteurs </strong>— <em>Steady as She Goes</em> [from "<a title="Broken Boy Soldiers @ Amazon" href="http://www.amazon.com/Broken-Boy-Soldiers-Raconteurs/dp/B000F48CD8" target="_blank">Broken Boy Soldiers</a>"]</li>
<li><strong>Bigott </strong>— <em><em>I&#8217;m Little Retarded</em></em> [from "<a title="This Is the Beginning... @ Amazon" href="http://www.amazon.com/This-begining-beautiful-friendship-bigott/dp/B004JU0QU6" target="_blank">This Is the Beginning of a Beautiful Friendship</a>"]</li>
<li><strong>White Stripes</strong> — <em>I&#8217;m Lonely (but I Ain&#8217;t that Lonely Yet)</em> [from "<a title="Get Behind Me Satan @ Amazon" href="http://www.amazon.com/Get-Behind-Satan-White-Stripes/dp/B001AJ9BHS" target="_blank">Get Behind Me Satan</a>"]</li>
<li><strong>Dan Auerbach </strong>— <em>Mean Monsoon</em> [from “<a title="Keep It Hid @ Amazon" href="http://www.amazon.com/Keep-Hid-Dan-Auerbach/dp/B001NKWLGW" target="_blank">Keep It Hid</a>“]</li>
<li><strong>Wilco </strong>— <em>Jesus, Etc</em> [from "<a title="Yankee Hotel Foxtrot @ Amazon" href="http://www.amazon.com/Yankee-Hotel-Foxtrot-Wilco/dp/B00005YXZH" target="_blank">Yankee Hotel Foxtrot</a>"]</li>
<li><strong>Flat Duo Jets </strong>— You Only Live Twice [from "<a title="Safari @ Amazon" href="http://www.amazon.com/Safari-Flat-Duo-Jets/dp/B000001UFJ" target="_blank">Safari</a>"]</li>
<li><strong>Paul Benoit </strong>— <em>Riptide</em> [from "<a title="Combustible @ Amazon" href="http://www.amazon.com/Combustible-Paul-Benoit/dp/B000PUV838" target="_blank">Combustible</a>"]</li>
<li><strong>Keziah Jones</strong> — <em>Free Your Soul</em> [from "<a title="Blufunk Is a Fact! @ Amazon" href="http://www.amazon.com/Blufunk-Keziah-Jones/dp/B000024ZUQ" target="_blank">Blufunk Is a Fact!</a>"]</li>
<li><strong>Galactic</strong> — <em>Go Go</em> [from "<a title="Coolin' Off @ Amazon" href="http://www.amazon.com/Coolin-Off-Galactic/dp/B00005ABIW/" target="_blank">Coolin' Off</a>"]</li>
<li><strong>Dead Weather </strong>— <em>Rocking Horse</em> [from "<a title="Horehound @ Amazon" href="http://www.amazon.com/Horehound-Dead-Weather/dp/B0028SVXPS" target="_blank">Horehound</a>"]</li>
<li><strong>Blackouts </strong>— <em>Everglades</em> [from "<a title="History in Reverse @ Amazon" href="http://www.amazon.com/History-Reverse-Blackouts/dp/B00065TZ8M" target="_blank">History in Reverse</a>"]</li>
<li><strong>Wilco</strong> — <em>I&#8217;m a Wheel</em> [from "<a title="A Ghost Is Born @ Amazon" href="http://www.amazon.com/Ghost-Born-Wilco/dp/B00020P7TM" target="_blank">A Ghost Is Born</a>"]</li>
<li><strong>Jelly Rollers </strong>— <em>Pretty Things</em> [from "<a title="Jelly Rollers @ Amazon" href="http://www.amazon.com/Jelly-Rollers/dp/B00005NAZU" target="_blank">Jelly Rollers</a>"]</li>
<li><strong>Ray LaMontagne </strong>— <em>How Come</em> [from "<a title="Trouble @ Amazon" href="http://www.amazon.com/Trouble-Ray-LaMontagne/dp/B0002S947K" target="_blank">Trouble</a>"]</li>
<li><strong>Galactic </strong>— <em>Uptown Odyssey</em> [from "<a title="Ruckus @ Amazon" href="http://www.amazon.com/Ruckus-Galactic/dp/B0000CDL76" target="_blank">Ruckus</a>"]</li>
<li><strong>Rednex </strong>— <em>McKenzie Brothers</em> [from "<a title="Sex &amp; Violins @ Amazon" href="http://www.amazon.com/Sex-Violins-Rednex/dp/B0000AVTYQ" target="_blank">Sex &amp; Violins</a>"]</li>
<li><strong>Tom Jones </strong>— <em>Feels Like Music</em> [from "<a title="24 Hours @ Amazon" href="http://www.amazon.com/24-Hours-Tom-Jones/dp/B001G5SDA2" target="_blank">24 Hours</a>"]</li>
</ol>
<p>I just created this CD for my brother in essence because he missed some of this music over the last several years.  This is my attempt to introduce him to some of these musicians and their music.  I had to skip a lot but I suppose that means there&#8217;ll have to be a sequel.</p>
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		<item>
		<title>FDR Still Has Good Things to Say to America</title>
		<link>http://soundunreason.com/InkWell/index.php/2012/01/fdr-still-has-good-things-to-say-to-america/</link>
		<comments>http://soundunreason.com/InkWell/index.php/2012/01/fdr-still-has-good-things-to-say-to-america/#comments</comments>
		<pubDate>Wed, 18 Jan 2012 01:18:37 +0000</pubDate>
		<dc:creator>JamesIsIn</dc:creator>
				<category><![CDATA[Speak Freely]]></category>
		<category><![CDATA[quote]]></category>

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		<description><![CDATA[I am reading a great book on the history of wealth over the four most recent world-economic powers: the United States, Great Britain, the Dutch, and the Spanish.  Great book.  It&#8217;s called Wealth and Democracy (A Political History of the &#8230; <a href="http://soundunreason.com/InkWell/index.php/2012/01/fdr-still-has-good-things-to-say-to-america/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>I am reading a great book on the history of wealth over the four most recent world-economic powers: the United States, Great Britain, the Dutch, and the Spanish.  Great book.  It&#8217;s called <em>Wealth and Democracy (A Political History of the American Rich)</em> and it can be had at <a title="Wealth and Democracy @ Amazon" href="http://www.amazon.com/Wealth-Democracy-Political-History-American/dp/0767905334" target="_blank">Amazon</a> easily enough.</p>
<p>It contains some compelling quotations one of which I&#8217;d like to share here.  This is FDR apparently in 1935 (p 213).</p>
<blockquote><p>The transmission from generation to generation of great fortunes by will, inheritance or gift is not consistent with the ideals and sentiments of the American people.  Great accumulations of wealth cannot be justified on the basis of personal or family security.  Such inherited economic power is as inconsistent with the ideals of this generation as inherited political power was inconsistent with the ideals of the generation which established our government.</p></blockquote>
<p>I couldn&#8217;t agree more.  If we are going to praise the individual for creating wealth then every individual should begin as near to an even playing field as possible.</p>
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		<title>The Number Seven</title>
		<link>http://soundunreason.com/InkWell/index.php/2012/01/the-number-seven/</link>
		<comments>http://soundunreason.com/InkWell/index.php/2012/01/the-number-seven/#comments</comments>
		<pubDate>Tue, 03 Jan 2012 19:57:03 +0000</pubDate>
		<dc:creator>JamesIsIn</dc:creator>
				<category><![CDATA[Darkly Glasses]]></category>
		<category><![CDATA[luxagraphia]]></category>

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		<description><![CDATA[This unmanipulated photograph (7482) was shot out at Tiger Mountain on 29 April 2007. The light source is a three red LED number seven. I look forward to your questions, comments, and criticisms.]]></description>
			<content:encoded><![CDATA[<p>This unmanipulated photograph (7482) was shot out at Tiger Mountain on 29 April 2007.</p>
<div id="attachment_2907" class="wp-caption aligncenter" style="width: 310px"><a href="http://soundunreason.com/inkwell/wp-content/uploads/2012/01/IMG_7482_850.jpg" rel="lightbox[2906]" title="The Number Seven"><img class="size-medium wp-image-2907" title="The Number Seven" src="http://soundunreason.com/inkwell/wp-content/uploads/2012/01/IMG_7482_850-300x225.jpg" alt="The Number Seven" width="300" height="225" /></a><p class="wp-caption-text">The Number Seven</p></div>
<p>The light source is a three red LED number seven.</p>
<p>I look forward to your questions, comments, and criticisms.</p>
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		<title>Down in the Light</title>
		<link>http://soundunreason.com/InkWell/index.php/2012/01/down-in-the-light/</link>
		<comments>http://soundunreason.com/InkWell/index.php/2012/01/down-in-the-light/#comments</comments>
		<pubDate>Tue, 03 Jan 2012 19:51:09 +0000</pubDate>
		<dc:creator>JamesIsIn</dc:creator>
				<category><![CDATA[Darkly Glasses]]></category>

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		<description><![CDATA[This unmanipulated photograph (9083) was shot in my Ballard studio on 21 October 2006. All of the available light is from a projected film still. This was shot with my friend, Charlie&#8217;s, Nikon.  No post-processing work was done except that &#8230; <a href="http://soundunreason.com/InkWell/index.php/2012/01/down-in-the-light/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>This unmanipulated photograph (9083) was shot in my Ballard studio on 21 October 2006.</p>
<div id="attachment_2902" class="wp-caption aligncenter" style="width: 191px"><a href="http://soundunreason.com/inkwell/wp-content/uploads/2012/01/DSC_9083_850.jpg" rel="lightbox[2901]" title="Down in the Light"><img class="size-medium wp-image-2902" title="Down in the Light" src="http://soundunreason.com/inkwell/wp-content/uploads/2012/01/DSC_9083_850-181x300.jpg" alt="Down in the Light" width="181" height="300" /></a><p class="wp-caption-text">Down in the Light</p></div>
<p>All of the available light is from a projected film still.</p>
<p>This was shot with my friend, Charlie&#8217;s, Nikon.  No post-processing work was done except that which was necessary to post the image from raw data.</p>
<p>(Originally posted 2 May 2007 over at <a title="Down in the Light @ UseFilm" href="http://www.usefilm.com/Image.asp?ID=1299282" target="_blank">UseFilm</a>.)</p>
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		<title>Hills and Valleys</title>
		<link>http://soundunreason.com/InkWell/index.php/2012/01/hills-and-valleys/</link>
		<comments>http://soundunreason.com/InkWell/index.php/2012/01/hills-and-valleys/#comments</comments>
		<pubDate>Tue, 03 Jan 2012 19:40:00 +0000</pubDate>
		<dc:creator>JamesIsIn</dc:creator>
				<category><![CDATA[Darkly Glasses]]></category>

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		<description><![CDATA[This unmanipulated photograph (1307) was shot in our new SAM sculpture park on 11 June 2007. What is fascinating here is the optical illusion created by my chosen perspective. The photograph has been rotated 180 degrees.  In so doing the &#8230; <a href="http://soundunreason.com/InkWell/index.php/2012/01/hills-and-valleys/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>This unmanipulated photograph (1307) was shot in our new SAM sculpture park on 11 June 2007.</p>
<div id="attachment_2898" class="wp-caption aligncenter" style="width: 310px"><a href="http://soundunreason.com/inkwell/wp-content/uploads/2012/01/IMG_1307_850.jpg" rel="lightbox[2897]" title="Hills and Valleys"><img class="size-medium wp-image-2898" title="Hills and Valleys" src="http://soundunreason.com/inkwell/wp-content/uploads/2012/01/IMG_1307_850-300x226.jpg" alt="Hills and Valleys" width="300" height="226" /></a><p class="wp-caption-text">Hills and Valleys</p></div>
<p>What is fascinating here is the optical illusion created by my chosen perspective.</p>
<p>The photograph has been rotated 180 degrees.  In so doing the edge of metal and its shadow (originally cast downward) are reversed and the shadow transforms into a deep valley visually.  (The thumbnail version also fails to deliver the illusion, presumably because you cannot see into the details which evoke the valley.)</p>
<p>Thanks for taking an interest in my photographs.</p>
<p>(Originally posted 22 July 2007.  You can see the upright version over at <a title="Hills and Valleys @ UseFilm" href="http://www.usefilm.com/Image.asp?ID=1333770" target="_blank">UseFilm</a>.)</p>
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		<title>Contains Sulfites</title>
		<link>http://soundunreason.com/InkWell/index.php/2012/01/contains-sulfites/</link>
		<comments>http://soundunreason.com/InkWell/index.php/2012/01/contains-sulfites/#comments</comments>
		<pubDate>Mon, 02 Jan 2012 19:08:06 +0000</pubDate>
		<dc:creator>JamesIsIn</dc:creator>
				<category><![CDATA[Darkly Glasses]]></category>
		<category><![CDATA[luxagraphia]]></category>

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		<description><![CDATA[This unmanipulated photograph (4869) was shot 19 November 2011 at a friend&#8217;s house near the airport.  The subject is a bottled electronic firefly.  Quite a clever if spastic mechanism actually. Just your basic upload preparations done: levels and contrast slightly &#8230; <a href="http://soundunreason.com/InkWell/index.php/2012/01/contains-sulfites/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>This unmanipulated photograph (4869) was shot 19 November 2011 at a friend&#8217;s house near the airport.  The subject is a bottled electronic firefly.  Quite a clever if spastic mechanism actually.</p>
<div id="attachment_2895" class="wp-caption aligncenter" style="width: 310px"><a href="http://soundunreason.com/inkwell/wp-content/uploads/2012/01/IMG_4869_850.jpg" rel="lightbox[2894]" title="Contains Sulfites"><img class="size-medium wp-image-2895" title="Contains Sulfites" src="http://soundunreason.com/inkwell/wp-content/uploads/2012/01/IMG_4869_850-300x225.jpg" alt="Contains Sulfites" width="300" height="225" /></a><p class="wp-caption-text">Contains Sulfites</p></div>
<p>Just your basic upload preparations done: levels and contrast slightly adjusted to compensate for lighting conditions and a border added.  Everything else is due to subject motion and light curving through various media.</p>
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		<title>Out of the Ashes</title>
		<link>http://soundunreason.com/InkWell/index.php/2011/12/out-of-the-ashes/</link>
		<comments>http://soundunreason.com/InkWell/index.php/2011/12/out-of-the-ashes/#comments</comments>
		<pubDate>Tue, 27 Dec 2011 00:19:56 +0000</pubDate>
		<dc:creator>JamesIsIn</dc:creator>
				<category><![CDATA[Darkly Glasses]]></category>

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		<description><![CDATA[This unmanipulated photograph was shot on 25 December 2011 at C&#8217;s uncle&#8217;s farm house near Snohomish, WA.  Just a snapshot, really; it is what it is. That&#8217;s little Asher Pruitt in the arms of his papa.  He took a real &#8230; <a href="http://soundunreason.com/InkWell/index.php/2011/12/out-of-the-ashes/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>This unmanipulated photograph was shot on 25 December 2011 at C&#8217;s uncle&#8217;s farm house near Snohomish, WA.  Just a snapshot, really; it is what it is.</p>
<div id="attachment_2890" class="wp-caption aligncenter" style="width: 310px"><a href="http://soundunreason.com/inkwell/wp-content/uploads/2011/12/IMG_5148_800.jpg" rel="lightbox[2889]" title="Out of the Ashes"><img class="size-medium wp-image-2890" title="Out of the Ashes" src="http://soundunreason.com/inkwell/wp-content/uploads/2011/12/IMG_5148_800-300x225.jpg" alt="Out of the Ashes" width="300" height="225" /></a><p class="wp-caption-text">Out of the Ashes</p></div>
<p>That&#8217;s little Asher Pruitt in the arms of his papa.  He took a real shine to me and we spent a lot of the night talking about various baby-important subjects the content of which I am sworn to secrecy.</p>
<p><a title="Out of the Ashes @ UseFilm" href="http://www.usefilm.com/image/1629928.html" target="_blank">UF</a></p>
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		<title>Thoughts on Internet Isolation</title>
		<link>http://soundunreason.com/InkWell/index.php/2011/11/thoughts-on-internet-isolation/</link>
		<comments>http://soundunreason.com/InkWell/index.php/2011/11/thoughts-on-internet-isolation/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 22:00:43 +0000</pubDate>
		<dc:creator>JamesIsIn</dc:creator>
				<category><![CDATA[Tourette's Apprentice]]></category>

		<guid isPermaLink="false">http://soundunreason.com/InkWell/?p=2729</guid>
		<description><![CDATA[On the Internet no one knows your a Turing machine. Of course, the problem for two Turing machines conversing over the Internet is that neither can be truly certain that the other is the Turing machine it thinks it is. &#8230; <a href="http://soundunreason.com/InkWell/index.php/2011/11/thoughts-on-internet-isolation/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>On the Internet no one knows your a Turing machine.</p>
<p>Of course, the problem for two Turing machines conversing over the Internet is that neither can be truly certain that the other is the Turing machine it thinks it is.</p>
<p>Recently I had an on-line discussion with a few friends concerning the brand of isolation unique to the Internet and how that particular fashion of isolation was moving humanity.  I would like to expand and expound for your pleasure and torment my current view on the matter (borrowing liberally from my friends).</p>
<p>One friend (Mr BG) pointed out to us that</p>
<blockquote><p>The internet [sic] has made you all artificial. I don&#8217;t know who any of you are.  Some of you I remember from days gone by but mostly I don&#8217;t know you and it saddens me as I&#8217;ve not been part of your journey.</p></blockquote>
<p>To which another (EHS) responded that she</p>
<blockquote><p>had similar thoughts a few days ago&#8230;.  The internet [sic] keeps us connected but doesn&#8217;t get us any closer to actually knowing each other.</p></blockquote>
<p>I think these are true enough observations.  We know less of one another if our only connection is virtual.  We know only our mutual advertisements.</p>
<p>Leading up to my graduation from the UW I met on-line and began a friendship with a woman living in Spain.  She was French and Spanish and this was great for me to practice both my French and Spanish (though we often conversed in English).  As the end of my student life loomed closer we decided I should take a visit and see a little corner of Spain.  We had more than a year of intimate if virtual interactions by this time.  Yet when I disembarked that bus in Valencia we were newly met strangers all over again.  We knew facts about the other person, but we didn&#8217;t really know the other person.</p>
<p>Given this background I was immediately able to understand when CB said</p>
<blockquote><p>It all depends on how you use the connections you&#8217;ve made&#8230; look on the bright side.  When I saw Ellie in the craft store, I immediately knew her face&#8230; and her story&#8230;.  When I&#8217;m able to set up meetings/lunches/dates with equally busy people via this tool, I feel HAPPY that it exists, even if some on here aren&#8217;t as transparent as others.</p>
<p>[E]ven if I never see you in real life because you live far away, I appreciate your opinions and your presense [sic] in my life.</p>
<p>PEOPLE make the internet aftificial [sic], not the other way around</p></blockquote>
<p>Not that we can reduce the Internet to a two sentence summation, but it does facilitate superficiality in an extraordinary way.  Not to mention the raw power available when we employ anonymity effectively.  (Many believe they are acting anonymously or that they have somehow limited their identifications to a select circle <em>and are totally wrong</em>, but that is not exactly what we are discussing.)</p>
<p>If many fall into the trap of propagating superficiality we are certainly right to lament it.  We may also feel an obligation to rebel against it, to reach out to those with whom we might connect.</p>
<p>AH pointed out that it may well be that the Internet (or more specifically social media sites like Facebook) expose the inner workings of a person&#8217;s being, rather than that these sites allow or promote this type of behaviour.</p>
<p>Probably the truth is that social sites (and perhaps the Internet in general) <em>do</em> promote self-centric behaviour and <em>also</em> expose in greater detail the inner workings of a person&#8217;s being.  Of course the problem with this increased exposure is in what I said earlier about only actually exposing one&#8217;s advertisements of oneself.  The context of this advertisement is necessarily stripped away due to the superficial nature of interactions.</p>
<p>Let&#8217;s come back to that point though because next Nate swept in in support of a more radical point of view:</p>
<blockquote><p>&#8230; Borg Telepathy, which I (right now) believe is the best, good, and Right goal for human communication we have this new (semi) unmediated mode of communication. somwehere between &#8220;On the internet, no one knows you&#8217;re a Dog&#8221; and &#8220;Oh (damn) I just posted something that I didn&#8217;t mean to&#8230;&#8221; [sic]</p></blockquote>
<p>He also offered a <a title="Ecstasy of Communication @ NYIT" href="http://iris.nyit.edu/~rcody/Thesis/Readings/The%20Ecstacy%20of%20Communication%20-%20Baudrillard.pdf" target="_blank">link</a> to a paper by Jean Baudrillard called The Ecstasy of Communication, which I include for your interest.  Baudrillard can be a challenge to read, but the rewards are great so stick with it.</p>
<p>I think the important part is that there is <em>too much</em> information on the Web and thus we must radically filter that in-stream (or die).  This leads to us missing very much of the substance and replacing it with a sizable quantity of superficial information.</p>
<p>Facebook is a great example here (like Google before it).  You can only see a random segment of what your friends are posting (due to time and other factors).  There are dozens or hundreds or thousands of posts slipping down your wall (right now!) which you must miss.  In spite of this those you do chance upon are often fully irrelevant to your interests and so you use the tools available (ever-changing, thanks to the developers) to sculpt your in-stream into something manageable (I am here reminded of Sisyphus).</p>
<p>AH accepted</p>
<blockquote><p>that a lot of substance winds up mixed in with all of the white noise but I also don&#8217;t feel like a lot of substance or real sharing is put out there.  Needle in a haystack.  As Nate said in a different conversation, I think people for the most part hold back on FB because it&#8217;s a quasi public space with a diverse audience.  I&#8217;d probably make more dirty jokes if I wasn&#8217;t friends with my Great Aunt Daphne.</p></blockquote>
<p>I have several times had people stomp on my balls because I dissented with some profound or inane notion they put forward.  The thing about the Internet that is key here is that if you post your opinion you are nearly guaranteed to run into opposition.</p>
<p>There is the whole concern (now) with employers (potential or otherwise) judging by random Internet yarns or foibles.  We have all this newfound freedom (for speech and expression), but we are socially prohibited from using it lest we suffer the consequences.</p>
<p>And finally we are reduced to making sound bites if we want to get anyone to pay any attention to what we say.  This is the final devolution of our personal advertisements, the diminutive dimension of our soul-marketing.</p>
<p>Try not to go &#8220;boo hoo&#8221; here, but on a scale of things no one visits my blogs or posts comments.  This is not meant as a lament but merely a statement of fact.  I monitor the various posts and pages using analytics so I know when something gets a lot of hits, but I have no dilusions about anything I do here suddenly going viral.  Sure I write a lot of either philosophical or creative pieces and don&#8217;t post any pr0n or cute kitten videos, but you get the point.</p>
<p>This idea led Aubrey to point out that there was no &#8220;point in commenting [on your blog] if nobody can see my brilliance on display&#8230; it&#8217;s outside the ecosystem&#8221;.  An excellent piece of humor but as with all humor it is necessarily tied to the truth.</p>
<p>Aubrey is a great example for this point because he recently did a project (which turned into a book) where he drew one drawing each day, based on one of his friends&#8217; Facebook status, for 100 days.  Someone asked him afterwards &#8220;What do you mean you&#8217;ve been drawing statuses?&#8221;.  One drawing (image) posted to his wall per day, each receiving many comments from his circle of friends (especially the person tagged because it was their status he drew from) for one hundred days, and yet in spite of all of that posting someone (a &#8220;pretty good friend&#8221;) still missed the whole thing.</p>
<p>(The book is called One Hundred Days Later, as was the project, and since it&#8217;s available for sale on the Internet it is likely that there exists someone who owns it who doesn&#8217;t know Aubrey and someone who is close friends with him who knows nothing about it.  You can buy it <a title="One Hundred Days Later @ Blurb" href="http://www.blurb.com/bookstore/detail/2362984" target="_blank">here</a>.  Be famous.)</p>
<p>This makes perfect sense to me.  The Internet, social media sites, and especially Facebook are very much in the now.  Each post and page is tossed into a torrential river turbid and frothing.  If you miss 99.9% of what passes near you in this enormous waterway it&#8217;s no surprise (or shouldn&#8217;t be).</p>
<p>For what it&#8217;s worth.  Fight the good fight.</p>
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		<title>Is Facebook Decending?</title>
		<link>http://soundunreason.com/InkWell/index.php/2011/11/is-facebook-decending/</link>
		<comments>http://soundunreason.com/InkWell/index.php/2011/11/is-facebook-decending/#comments</comments>
		<pubDate>Wed, 09 Nov 2011 22:20:39 +0000</pubDate>
		<dc:creator>JamesIsIn</dc:creator>
				<category><![CDATA[Tourette's Apprentice]]></category>

		<guid isPermaLink="false">http://soundunreason.com/InkWell/?p=2771</guid>
		<description><![CDATA[As with anything popular it is also popular to complain about Facebook.  Now I feel like I get a free pass since my complaints are not of the class &#8220;Why did you move my cheese?&#8221; but rather &#8220;Why doesn&#8217;t your &#8230; <a href="http://soundunreason.com/InkWell/index.php/2011/11/is-facebook-decending/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>As with anything popular it is also popular to complain about Facebook.  Now I feel like I get a free pass since my complaints are not of the class &#8220;Why did you move my cheese?&#8221; but rather &#8220;Why doesn&#8217;t your shit work as advertised?&#8221;.</p>
<p>Call me a hypocrite if you&#8217;d like.  I&#8217;ll wait.</p>
<p>Ok.  I&#8217;m glad you got that off your chest.</p>
<p>Today Facebook made an announcement:</p>
<blockquote><p>Changes to How You Share Content in Notes</p>
<p>You currently automatically import content from your website or blog into your Facebook notes. Starting November 22nd, this feature will no longer be available, although you&#8217;ll still be able to write individual notes. The best way to share content from your website is to post links on your Wall. Learn more about notes.</p></blockquote>
<p>I&#8217;ve been using this buggy feature since I learned I could do it.  It never really worked very well.  The reality is that I post the links myself anyway because their feed importer rarely does its job.  When it does work it takes hours or days to import rather than the minutes they claim.</p>
<p>The links Facebook provides back to my blog are confusing for users (presumably because Facebook wants to keep visitors on their site and not assist me in getting them to mine—which seems utterly antithetical to the spirit of the hyperlink).</p>
<p>In a way it&#8217;s not all that surprising they would make this maneuver.  Nonetheless, they chose to bag this feature after spending nearly zero effort in fixing it.  I mean if they can dump hundreds of hours of coding time to make the chat list appear on the right hand side of every page, surely they could fix an RSS feed importer.</p>
<p>As such I expressed myself:</p>
<div id="attachment_2773" class="wp-caption aligncenter" style="width: 310px"><a href="http://soundunreason.com/inkwell/wp-content/uploads/2011/11/Facebook.png" rel="lightbox[2771]" title="Self-Expression"><img class="size-medium wp-image-2773" title="Self-Expression" src="http://soundunreason.com/inkwell/wp-content/uploads/2011/11/Facebook-300x143.png" alt="Self-Expression" width="300" height="143" /></a><p class="wp-caption-text">Self-Expression</p></div>
<p>As you can see, there is much they should be spending their coding hours fixing.</p>
<p>Facebook, we love you but seriously: fuck off.</p>
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